Our next step in studying "Wildwood Flower" is
to do some crosspicking on it. This is an excellent tune for learning
and exploring crosspicking technique.
Crosspicking uses the flatpick to pick a group of strings in a pattern
that repeats. Three strings are commonly involved in a crosspicking
pattern, and the strings may or may not be adjacent to each other.
When played on the guitar, crosspicking sounds very similar to the "rolls" you
hear from a banjo player.
The direction you pick the strings when crosspicking is a personal
preference. Some players use down-up-down-up (DUDU) pattern and some
use down-down-up (DDU). The notes played are the same either way,
although there is a subtle difference in the sound. Most players
use the DUDU technique. |
| We've prepared an audio clip of Clarence White crosspicking
"Wildwood Flower" to demonstrate how it sounds when done by one of
the greats of Bluegrass Guitar. The clip is in mp3 format. |
(mp3 - 328 KB) |
Listening to Clarence, you can hear that there is much
more going on when you are crosspicking. At times it might be hard
to hear the melody, too. It's there, but it's surrounded by a lot of
other notes, and may not be in exactly the same place as in the basic
melody you sing.
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Let's take a look at a simple crosspicking
arrangement of "Wildwood Flower". This Scorch file
contains both standard notation and tablature. The audio file is
is MIDI format. |
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This arrangement illustrates a common crosspicking method:
picking three adjacent strings in a repeating pattern. The left-hand
fingering is built around simple chord positions, but the fingering
changes to create different notes as the same pattern is repeated.
If you look at this TAB file and compare it to the TAB of the basic
melody, you can see several things. First, there are a lot
more notes in the crosspicking version. When you listen to the
midi sound file for this arrangement it sounds like it's being
played faster, but the truth is that it is exactly the same tempo
as the other arrangements we've looked at. What makes it seem faster
is that there are so many more notes being played per measure.
Getting all these notes in is one of the things that makes crosspicking
challenging to learn! |
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Another point to look at are where the melody notes occur.
In the simple melody arrangement, the notes fall where the vocalist
sings them. Now look at where these notes fall in the crosspicking
arrangement. These notes are shown with blue background spots. They
don't always fall in the same place, do they? There is some syncopation
happening here as a result of the crosspicking pattern.
Our next step explores where to go from
here in learning how to
play Carter-style and crosspicking. We look at resources where you
can learn more about the Carter Family. |
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